La experiencia del asombro: una aproximación expansiva a la estética cotidiana

A diferencia de Melchionne (2013) y Naukkarinen (2013), abogo por una definición expansiva de la estética cotidiana que, además de las experiencias más comunes y cotidianas, incluya los festivales, el turismo y un sinnúmero de actividades llevadas a cabo diariamente por artistas y profesionales de diversas áreas. Establezco continuidades entre las estéticas de la vida diaria, del arte y de la naturaleza. Por ejemplo, el acto de mirar a través de una ventana puede involucrar aspectos de las tres estéticas. Aunque coincido con Melchionne (2013) en que la estética cotidiana está muy ligada a las preguntas por la búsqueda del bienestar subjetivo, asumo una aproximación más expansiva basada en estudios sicológicos recientes sobre la experiencia... Ver más

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Dogen, E. (2007). Shobogenzo: The True Dharma-Eye Treasury. Volume I (Taisho Volume 82, Number 2582). (G.W. Nishijima & C. Cross, trds.). Bukkyo Dendo Kyokai and Nomata Center for Buddhist Translation. Recuperado de http://www.bdkamerica.org/digital/dBET_T2582_Shobogenzo1_2009.pdf
Keltner, D. & Haidt, J. (2003). Approaching Awe, A Moral, Spiritual, And Aesthetic Emotion. Cognition and Emotion, 17, 297-314.
Kant, I. (2013). The Critique of Practical Reason (T. Kingsmill Abbot, tr.). Proyecto Gutenberg. Recuperado de http://www.gutenberg.org/ebooks/5683
Irvin, S. (2008). The Pervasiveness of the Aesthetic in Ordinary Experience. ritish Journal of Aesthetics, 48, 29-44.
Hanh, T. N. (1987). The Miracle of Mindfulness (M. Ho, tr.). Boston: Beacon Press.
Haapala, A. (2005). On the aesthetics of everyday: familiarity, strangeness and the meaning of place. En A. Light & J.M. Smith (Eds.), The aesthetics of everyday life (pp.39-55). New York: Columbia University Press.
Dutton, D. (2010). The Art Instinct. New York: Bloomsbury Press. Fitzgerald, F. S. (2011). Winter Dreams. En Th. Fasano (Ed.), Great Short Stories by Great American Writers (pp. 382-399). Claremont: Coyote Canyon Press.
Dissanayake, E. (1992). Homo Aestheticus: Where Art Comes from and Why. New York: Free Press.
Leddy, T. (2012b). Defending everyday aesthetics and the concept of pretty. Contemporary Aesthetics, 10. Recuperado de http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=654&searchstr=leddy
Dickie, G. (1971). Aesthetics: An introduction. Indianapolis: Pegasus, BobbsMerrill.
Dewey, J. (2005). Arts as Experience. New York: Perigree.
Davies, S. (2015). The Artful Species. Oxford: Oxford University Press.
Carlson, A. (1979). Appreciation and the Natural Environment. Journal of Aesthetics and Criticism, 37(3), 267-275.
Burke, E. (1990). A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. New York: Oxford University Press.
Berleant, A. (1964). The Sensuous and the Sensual in Aesthetics. Journal of Aesthetics and Art Criticism, 23(2), 185-192.
Leddy, T. (2012a). The extraordinary in the ordinary. Peterborough: Broadview Press.
Leddy, T. (2014). Everyday Aesthetics and Happiness. En L. Yuedi & C. Carter (Eds.), Aesthetics of Everyday Life: West and East (pp. 26-47). New Castle upon Tyne: Cambridge Scholars Publishing.
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Shusterman, R. (2012). Thinking Through the Body: Essays on Somaesthetics. Cambridge: Cambridge University Press. Wilde, O. The Decay of Lying. Recuperado de http://virgil.org/dswo/courses/novel/wilde-lying.pdf
Lintott, S. (2012). The Sublimity of Getating and Giving Birth: Toward a Feminist Conception of the Sublime. En S. Lintott & M. Sander-Staudt (Eds.), Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects (pp. 237-250). London: Routledge
Shusterman, R. (2007). Asian Ars Erotica and the Question of Sexual Aesthetics. The Journal of Aesthetics and Art Criticism, 65, 55-68.
Plutchik, R. (s.f). Contrasting and Categorization of Emotions. En Wikipedia. Recuperado de https://en.wikipedia.org/wiki/Contrasting_and_categorization_of_emotions#Plutchik.27s_wheel_of_emotionsSaito, Y. (2010). Everyday Aesthetics. Oxford: Oxford University Press.
Piff, P. & Keltner, D. (2015, May 24). Why Do We Experience Awe? New York Times (Sunday Review), p. 10.
Naukkarinen, O. (2013). What is “Everyday” in Everyday Aesthetics? Contemporary Aesthetics, 11. Recuperado de http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=675
Mikulak, A. (2015). All about Awe: Science Explores How Life’s Small Marvels Elevate Cognition and Emotion. Observer, 28, 4. Recuperado de http://www.psychologicalscience.org/issue/april-15Moore, T. (1996). The ReEnchantment of Everyday Life. New York: Harper Collins.
Melchionne, K. (2014). The point of everyday aesthetics. Contemporary Aesthetics, 12. Recuperado de http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=700&searchstr=melchionne
Melchionne, K. (2013). The definition of everyday aesthetics. Contemporary Aesthetics, 11. Recuperado de http://www.contempaesthetics.org/ newvolume/pages/article.php?articleID=663 &searchstr=melchionne
Bentham, J. (1988). The Principles of Morals and Legislation. Amherst: Prometheus Books.
Kepes - 2020
Español
Artículo de revista
A diferencia de Melchionne (2013) y Naukkarinen (2013), abogo por una definición expansiva de la estética cotidiana que, además de las experiencias más comunes y cotidianas, incluya los festivales, el turismo y un sinnúmero de actividades llevadas a cabo diariamente por artistas y profesionales de diversas áreas. Establezco continuidades entre las estéticas de la vida diaria, del arte y de la naturaleza. Por ejemplo, el acto de mirar a través de una ventana puede involucrar aspectos de las tres estéticas. Aunque coincido con Melchionne (2013) en que la estética cotidiana está muy ligada a las preguntas por la búsqueda del bienestar subjetivo, asumo una aproximación más expansiva basada en estudios sicológicos recientes sobre la experiencia del asombro; ello con el fin de enfatizar la importancia de esa experiencia en tal búsqueda, vinculando así, los aspectos más sobresalientes de la estética cotidiana, la estética del arte y la estética de la naturaleza.
Leddy, Thomas
Pérez-Henao, Horacio
aura
definición
estética cotidiana
Melchionne
Naukkarinen
restrictivos
bienestar subjetivo
17
22
Núm. 22 , Año 2020 : Julio - Diciembre
Publication
Universidad de Caldas
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/2616
Kepes
application/pdf
definition
Unlike Melchionne (2013) and Naukkarinen (2013), I advocate an expansive definition of everyday aesthetics that, in addition to the most common and everyday experiences, includes festivals, tourism, and countless activities carried out daily by artists and professionals from various areas. Continuities between aesthetics of everyday life and the aesthetics of art and nature are established. For example, the act of looking through a window may involve aspects of all three aesthetics. Although I agree with Melchionne (2013) in that everyday aesthetics is closely linked to questions about the search for subjective well-being, I assume a more expansive approach based on recent psychological studies of the experience of “awe” to emphasize the importance of such experiences in subjective search, linking this way, the most outstanding aspects of everyday aesthetics, the aesthetics of art and the aesthetics of nature.
awe
Journal article
everyday aesthetics
Melchionne
Naukkarinen
restrictive
The experience of awe: an expansive approach to everyday aesthetics
subjective well-being
2020-07-01T00:00:00Z
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10.17151/kepes.2020.17.22.15
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institution UNIVERSIDAD DE CALDAS
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collection Kepes
title La experiencia del asombro: una aproximación expansiva a la estética cotidiana
spellingShingle La experiencia del asombro: una aproximación expansiva a la estética cotidiana
Leddy, Thomas
Pérez-Henao, Horacio
aura
definición
estética cotidiana
Melchionne
Naukkarinen
restrictivos
bienestar subjetivo
definition
everyday aesthetics
Melchionne
Naukkarinen
restrictive
subjective well-being
title_short La experiencia del asombro: una aproximación expansiva a la estética cotidiana
title_full La experiencia del asombro: una aproximación expansiva a la estética cotidiana
title_fullStr La experiencia del asombro: una aproximación expansiva a la estética cotidiana
title_full_unstemmed La experiencia del asombro: una aproximación expansiva a la estética cotidiana
title_sort la experiencia del asombro: una aproximación expansiva a la estética cotidiana
title_eng The experience of awe: an expansive approach to everyday aesthetics
description A diferencia de Melchionne (2013) y Naukkarinen (2013), abogo por una definición expansiva de la estética cotidiana que, además de las experiencias más comunes y cotidianas, incluya los festivales, el turismo y un sinnúmero de actividades llevadas a cabo diariamente por artistas y profesionales de diversas áreas. Establezco continuidades entre las estéticas de la vida diaria, del arte y de la naturaleza. Por ejemplo, el acto de mirar a través de una ventana puede involucrar aspectos de las tres estéticas. Aunque coincido con Melchionne (2013) en que la estética cotidiana está muy ligada a las preguntas por la búsqueda del bienestar subjetivo, asumo una aproximación más expansiva basada en estudios sicológicos recientes sobre la experiencia del asombro; ello con el fin de enfatizar la importancia de esa experiencia en tal búsqueda, vinculando así, los aspectos más sobresalientes de la estética cotidiana, la estética del arte y la estética de la naturaleza.
description_eng Unlike Melchionne (2013) and Naukkarinen (2013), I advocate an expansive definition of everyday aesthetics that, in addition to the most common and everyday experiences, includes festivals, tourism, and countless activities carried out daily by artists and professionals from various areas. Continuities between aesthetics of everyday life and the aesthetics of art and nature are established. For example, the act of looking through a window may involve aspects of all three aesthetics. Although I agree with Melchionne (2013) in that everyday aesthetics is closely linked to questions about the search for subjective well-being, I assume a more expansive approach based on recent psychological studies of the experience of “awe” to emphasize the importance of such experiences in subjective search, linking this way, the most outstanding aspects of everyday aesthetics, the aesthetics of art and the aesthetics of nature.
author Leddy, Thomas
Pérez-Henao, Horacio
author_facet Leddy, Thomas
Pérez-Henao, Horacio
topicspa_str_mv aura
definición
estética cotidiana
Melchionne
Naukkarinen
restrictivos
bienestar subjetivo
topic aura
definición
estética cotidiana
Melchionne
Naukkarinen
restrictivos
bienestar subjetivo
definition
everyday aesthetics
Melchionne
Naukkarinen
restrictive
subjective well-being
topic_facet aura
definición
estética cotidiana
Melchionne
Naukkarinen
restrictivos
bienestar subjetivo
definition
everyday aesthetics
Melchionne
Naukkarinen
restrictive
subjective well-being
citationvolume 17
citationissue 22
citationedition Núm. 22 , Año 2020 : Julio - Diciembre
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Kepes - 2020
references Dogen, E. (2007). Shobogenzo: The True Dharma-Eye Treasury. Volume I (Taisho Volume 82, Number 2582). (G.W. Nishijima & C. Cross, trds.). Bukkyo Dendo Kyokai and Nomata Center for Buddhist Translation. Recuperado de http://www.bdkamerica.org/digital/dBET_T2582_Shobogenzo1_2009.pdf
Keltner, D. & Haidt, J. (2003). Approaching Awe, A Moral, Spiritual, And Aesthetic Emotion. Cognition and Emotion, 17, 297-314.
Kant, I. (2013). The Critique of Practical Reason (T. Kingsmill Abbot, tr.). Proyecto Gutenberg. Recuperado de http://www.gutenberg.org/ebooks/5683
Irvin, S. (2008). The Pervasiveness of the Aesthetic in Ordinary Experience. ritish Journal of Aesthetics, 48, 29-44.
Hanh, T. N. (1987). The Miracle of Mindfulness (M. Ho, tr.). Boston: Beacon Press.
Haapala, A. (2005). On the aesthetics of everyday: familiarity, strangeness and the meaning of place. En A. Light & J.M. Smith (Eds.), The aesthetics of everyday life (pp.39-55). New York: Columbia University Press.
Dutton, D. (2010). The Art Instinct. New York: Bloomsbury Press. Fitzgerald, F. S. (2011). Winter Dreams. En Th. Fasano (Ed.), Great Short Stories by Great American Writers (pp. 382-399). Claremont: Coyote Canyon Press.
Dissanayake, E. (1992). Homo Aestheticus: Where Art Comes from and Why. New York: Free Press.
Leddy, T. (2012b). Defending everyday aesthetics and the concept of pretty. Contemporary Aesthetics, 10. Recuperado de http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=654&searchstr=leddy
Dickie, G. (1971). Aesthetics: An introduction. Indianapolis: Pegasus, BobbsMerrill.
Dewey, J. (2005). Arts as Experience. New York: Perigree.
Davies, S. (2015). The Artful Species. Oxford: Oxford University Press.
Carlson, A. (1979). Appreciation and the Natural Environment. Journal of Aesthetics and Criticism, 37(3), 267-275.
Burke, E. (1990). A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. New York: Oxford University Press.
Berleant, A. (1964). The Sensuous and the Sensual in Aesthetics. Journal of Aesthetics and Art Criticism, 23(2), 185-192.
Leddy, T. (2012a). The extraordinary in the ordinary. Peterborough: Broadview Press.
Leddy, T. (2014). Everyday Aesthetics and Happiness. En L. Yuedi & C. Carter (Eds.), Aesthetics of Everyday Life: West and East (pp. 26-47). New Castle upon Tyne: Cambridge Scholars Publishing.
Shusterman, R. (2012). Thinking Through the Body: Essays on Somaesthetics. Cambridge: Cambridge University Press. Wilde, O. The Decay of Lying. Recuperado de http://virgil.org/dswo/courses/novel/wilde-lying.pdf
Lintott, S. (2012). The Sublimity of Getating and Giving Birth: Toward a Feminist Conception of the Sublime. En S. Lintott & M. Sander-Staudt (Eds.), Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects (pp. 237-250). London: Routledge
Shusterman, R. (2007). Asian Ars Erotica and the Question of Sexual Aesthetics. The Journal of Aesthetics and Art Criticism, 65, 55-68.
Plutchik, R. (s.f). Contrasting and Categorization of Emotions. En Wikipedia. Recuperado de https://en.wikipedia.org/wiki/Contrasting_and_categorization_of_emotions#Plutchik.27s_wheel_of_emotionsSaito, Y. (2010). Everyday Aesthetics. Oxford: Oxford University Press.
Piff, P. & Keltner, D. (2015, May 24). Why Do We Experience Awe? New York Times (Sunday Review), p. 10.
Naukkarinen, O. (2013). What is “Everyday” in Everyday Aesthetics? Contemporary Aesthetics, 11. Recuperado de http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=675
Mikulak, A. (2015). All about Awe: Science Explores How Life’s Small Marvels Elevate Cognition and Emotion. Observer, 28, 4. Recuperado de http://www.psychologicalscience.org/issue/april-15Moore, T. (1996). The ReEnchantment of Everyday Life. New York: Harper Collins.
Melchionne, K. (2014). The point of everyday aesthetics. Contemporary Aesthetics, 12. Recuperado de http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=700&searchstr=melchionne
Melchionne, K. (2013). The definition of everyday aesthetics. Contemporary Aesthetics, 11. Recuperado de http://www.contempaesthetics.org/ newvolume/pages/article.php?articleID=663 &searchstr=melchionne
Bentham, J. (1988). The Principles of Morals and Legislation. Amherst: Prometheus Books.
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