The mobile aesthetics of cell phone made films: from the pixel to the everyday
El artículo se enfoca en el análisis de la estética que han adquirido las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos que les sirvan a sus prácticas de cre... Ver más
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1794-7111
2462-8115
9
2011-01-01
73
87
http://purl.org/coar/access_right/c_abf2
info:eu-repo/semantics/openAccess
Revista Kepes - 2015
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The mobile aesthetics of cell phone made films: from the pixel to the everyday teléfonos celulares Kepes Universidad de Caldas Artículo de revista 8 9 Núm. 8 , Año 2012 : Enero - Diciembre 2012 lenguaje cinema Baja resolución Caridad Botella El artículo se enfoca en el análisis de la estética que han adquirido las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos que les sirvan a sus prácticas de creación. SMS Sugar Man by Aryan Kaganof, SA, 81 min. 2005-2006 (Tags: Aryan Kaganof,cell phone, mobile phone, first feature film, pixelated image) Tourner en rond et se laisser consumer by Vincent Moon, France, 4 min., 2006 (Tags: Vincent Moon, cell phone, mobile phone, abstraction, short film). La Perle by Marguerite Lantz, France, 4 min., 2006 (Tags: Marguerite Lantz, pictorialism, cell phone, mobile phone, pixelated image). Max with a Keitai by Max Schleser, UK, 5 min., 2006 (Tags: Max Schleser, cell phone, mobile phone, mobile aesthetics, keitai, Japan). New Love Meetings by Marcello Mencarini and Barbara Seghezzi, Italy, 93 min.,2006 (Tags: Marcelo Mencarini, Barbara Seghezzi, cell phone, mobile phone, pixilated image, documentary). Nocturne pour le roi de Rome by Jean Charles Fitoussi, France, 80 min., 2005 (Tags:Charles Fitoussi, cell phone, mobile phone, diegesis of the pixel, feature film). Pisa Asciano by Raul Marroquin, NL, 4:13 min., 2007 (Tags: Raul Marroquin, video art, cell phone, mobile phone, pixelated image). Text Why Didn’t anybody tell me it would get this bad in Afghanistan by Cyrus Frisch, 70 min, 2009 (Tags: Cyrus Frish, cell phone, mobile phone, feature film, pixelated image). Triton by Benoît Labourdette, Fance, 62.02 min., 2007 (Tags: Benoît Labourdette, cell phone, mobile phone, abstraction, multiple frames, feature film). http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/article http://purl.org/coar/resource_type/c_6501 Filmography GPS yourself by Rémi Boulnois, France, 45 sec., 2008 (Tags: Rémi Boulnois, GPS, cell phone, mobile phone, multimedia). info:eu-repo/semantics/publishedVersion http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/openAccess La Paura by Pippo Delbono, Italy, 69 min., 2009 (Tags: Pippo Delbono, mobilementary, personal medium, window on the world, realism). https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463 Publication Journal article Revista Kepes - 2015 https://creativecommons.org/licenses/by-nc-sa/4.0/ Inglés Abstract:  The artcle focuses in the analysis of the aesthetics cell pone cameras have acquired which given their capture and sound limitations tend to configure a new  anguage. After revisiing the work of some artists dedicated to the creation of films based in the poor technical characteristic of videos taken with the cell phone, such as Roger Odin, and from the theoretical perspective of authors such as Camille Baker and Alessandro Amaducci a contribution to the electronic and digital media aspects takes form whose usefulness will allow the movies or video creators and students to take elements that can serve in their creation practices. The mobile aesthetics of cell phone made films: from the pixel to the low images resolution cinema application/pdf language cell phones 73 2012-01-01T00:00:00Z https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/463/388 2012-01-01T00:00:00Z 87 1794-7111 2462-8115 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463 2011-01-01 |
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UNIVERSIDAD DE CALDAS |
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https://nuevo.metarevistas.org/UNIVERSIDADDECALDAS/logo.png |
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Colombia |
| collection |
Kepes |
| title |
The mobile aesthetics of cell phone made films: from the pixel to the everyday |
| spellingShingle |
The mobile aesthetics of cell phone made films: from the pixel to the everyday Caridad Botella teléfonos celulares lenguaje cinema Baja resolución low images resolution cinema language cell phones |
| title_short |
The mobile aesthetics of cell phone made films: from the pixel to the everyday |
| title_full |
The mobile aesthetics of cell phone made films: from the pixel to the everyday |
| title_fullStr |
The mobile aesthetics of cell phone made films: from the pixel to the everyday |
| title_full_unstemmed |
The mobile aesthetics of cell phone made films: from the pixel to the everyday |
| title_sort |
mobile aesthetics of cell phone made films: from the pixel to the everyday |
| title_eng |
The mobile aesthetics of cell phone made films: from the pixel to the |
| description |
El artículo se enfoca en el análisis de la estética que han adquirido las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos que les sirvan a sus prácticas de creación.
|
| description_eng |
Abstract:  The artcle focuses in the analysis of the aesthetics cell pone cameras have acquired which given their capture and sound limitations tend to configure a new  anguage. After revisiing the work of some artists dedicated to the creation of films based in the poor technical characteristic of videos taken with the cell phone, such as Roger Odin, and from the theoretical perspective of authors such as Camille Baker and Alessandro Amaducci a contribution to the electronic and digital media aspects takes form whose usefulness will allow the movies or video creators and students to take elements that can serve in their creation practices.
|
| author |
Caridad Botella |
| author_facet |
Caridad Botella |
| topicspa_str_mv |
teléfonos celulares lenguaje cinema Baja resolución |
| topic |
teléfonos celulares lenguaje cinema Baja resolución low images resolution cinema language cell phones |
| topic_facet |
teléfonos celulares lenguaje cinema Baja resolución low images resolution cinema language cell phones |
| citationvolume |
9 |
| citationissue |
8 |
| citationedition |
Núm. 8 , Año 2012 : Enero - Diciembre 2012 |
| publisher |
Universidad de Caldas |
| ispartofjournal |
Kepes |
| source |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463 |
| language |
Inglés |
| format |
Article |
| rights |
http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/openAccess Revista Kepes - 2015 https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| references_eng |
SMS Sugar Man by Aryan Kaganof, SA, 81 min. 2005-2006 (Tags: Aryan Kaganof,cell phone, mobile phone, first feature film, pixelated image) Tourner en rond et se laisser consumer by Vincent Moon, France, 4 min., 2006 (Tags: Vincent Moon, cell phone, mobile phone, abstraction, short film). La Perle by Marguerite Lantz, France, 4 min., 2006 (Tags: Marguerite Lantz, pictorialism, cell phone, mobile phone, pixelated image). Max with a Keitai by Max Schleser, UK, 5 min., 2006 (Tags: Max Schleser, cell phone, mobile phone, mobile aesthetics, keitai, Japan). New Love Meetings by Marcello Mencarini and Barbara Seghezzi, Italy, 93 min.,2006 (Tags: Marcelo Mencarini, Barbara Seghezzi, cell phone, mobile phone, pixilated image, documentary). Nocturne pour le roi de Rome by Jean Charles Fitoussi, France, 80 min., 2005 (Tags:Charles Fitoussi, cell phone, mobile phone, diegesis of the pixel, feature film). Pisa Asciano by Raul Marroquin, NL, 4:13 min., 2007 (Tags: Raul Marroquin, video art, cell phone, mobile phone, pixelated image). Why Didn’t anybody tell me it would get this bad in Afghanistan by Cyrus Frisch, 70 min, 2009 (Tags: Cyrus Frish, cell phone, mobile phone, feature film, pixelated image). Triton by Benoît Labourdette, Fance, 62.02 min., 2007 (Tags: Benoît Labourdette, cell phone, mobile phone, abstraction, multiple frames, feature film). Filmography GPS yourself by Rémi Boulnois, France, 45 sec., 2008 (Tags: Rémi Boulnois, GPS, cell phone, mobile phone, multimedia). La Paura by Pippo Delbono, Italy, 69 min., 2009 (Tags: Pippo Delbono, mobilementary, personal medium, window on the world, realism). |
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https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463 |
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1794-7111 |
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