Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional.
Un repertorio interdisciplinario de las propiedades de las representaciones externas en diseño, tales como los sketches, es propuesto para explorar el rol funcional de dichas representaciones. Las propiedades y las funciones de las representaciones son múltiples. Sin embargo, invariablemente se estudian desde enfoques cognitivos o de diseño computacional, por lo que ciertos fenómenos, importantes para diferentes disciplinas del diseño, quedan por fuera. Consecuentemente, una revisión interdisciplinaria, documental, descriptiva y explicativa de la literatura se usa para aportar elementos de respuesta alrededor de tres preguntas: ¿qué son las representaciones, en ciencias duras y en diseño? ¿Cuáles son sus propiedades? ¿Y sus funciones? Así,... Ver más
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Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. Olofsson, E., and Sjolen, K. (2005). Design Sketching, KEEOS Design-Books. Schifferstein, H.N., and Hekkert, P. (eds.) (2008). Product Experience. Elsevier. Schenk, P. (2007). Developing a taxonomy on drawing for design. En: Poggenpohl, s. (ed.) Proceedings IASDR’07 Conference, Hong-Kong, 12-15 Nov., 2007 Runco, M.A., and Pritzker, S.R. (1999). Encyclopedia of Creativity. (2 Vols.). Academic Press. Runco, M.A. (2014). Creativity: Theories and themes: Research, development, and practice. Elsevier. Roozenburg, N.F., and Eekels, J. (1995). Product design: fundamentals and methods (Vol. 2). Wiley, Chichester. Reymen, I., and Hammer, D. (2000). Design method supporting regular reflection on design situations. En: Horvath, I., Medland, A.J., and Vergeest, J.S.M. (eds.). Proceedings Third Symposium TMCE, Delft, pp.18-21. Reisberg, D., and Logie, R. (1993) The ins and outs of working memory: Overcoming the limits on learning from imagery, en: Roskos-Ewoldsen, Intons-Peterson M., Anderson, R. (eds). Imagery, Creativity and Discovery: a cognitive approach, Elsevier, Amsterdam, pp. 39-76 Ramachandran, V.S. (2011). The Tell-Tale Brain. W.W. Norton-Company. Petiot, J.F. and Yannou, B. (2004). Measuring consumer perceptions for a better comprehension, specification and assessment of product semantics. International Journal of Industrial Ergonomics, 33 (6), 507-525. doi.org/10.1016/j.ergon.2003.12.004 Perini, L. (2004). Convention, resemblance and isomorphism: understanding scientific visual representations, chapter 3, en: Malcolm, G. (2004). Pellegrino J.W., Rosinski, R.R., Chiesi, H.L., and Siegel, A. (1977). Picture–word differences in decision latency: an analysis of single and dual memorymodels. Memory and Cognition, 5, 383-396. doi.org/10.3758/BF03197377 Pei, E., Campbell, I., and Evans, M.A. (2009). Building a Common Ground-The Use of Design Representation Cards for Enhancing Collaboration between Industrial Designers and Engineering Designers. En: Durling, D., Rust, C., Chen, L.-L., Ashton, P., & Friedman, K. (eds.). Proceedings Undisciplined! Design Research Society Conference 2008, Sheffield Hallam University, Sheffield, UK, 16-19 July 2008. Pahl, G., Beitz, P., and Grote, K.H. (2007). Engineering Design: A Systematic Approach. Springer. Pei, E. (2013). Building a common language of design representations for industrial designers and engineering designers. PhD Thesis, Loughborough University. Otto, K.N., and Wood, K.L. (2000). Product Design. Pearson. Novick, L.R. (2005). Problem solving, Psychology of. En: Nadel (2005). Schön, D. (1983). The reflective practitioner: How practitioners think in action. London: Temple-Smith. Schön, D., and Wiggins, G. (1992). Kinds of seeing and their functions in designing, Design Studies, 13(2), 135-153. doi.org/10.1016/0142-694X(92)90268-F Ngo, D.C.L., and Byrne, J.G. (1998). Aesthetic measures for screen design. En: Calderon, P.B. & Thomas, B. (eds.) Proceedings 1998 Australasian Computer Human Interaction Conference, Adelaide (pp. 64-71). Nadel, L. (Ed.). (2005). Encyclopedia of cognitive science. Taylor & Francis. DOI: 10.1002/0470018860 Nefs, H.T. (2008). On the visual appearance of Objects. En: Schifferstein & Hekkert (2008). Mogford, R.H., Guttman, J., Morrow, S., and Kopardekar, P. (1995). The Complexity Construct in Air Traffic Control: A Review and Synthesis of the Literature. Technical Report, CTA. Menezes, A., and Lawson, B. (2006). How designers perceive sketches. Design Studies, 27(5), 571-585. doi.org/10.1016/j.destud.2006.02.001 Massironi, M. (2001). The psychology of graphic images: Seeing, drawing, communicating. Psychology Press. Markman, A.B. (2005). 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Collaborative Sketching (CoSketch) — An Idea Generation Technique for Engineering Design. Journal of Creative Behavior. 35 (3), 168-198. doi.org/10.1002/j.2162-6057.2001.tb01045.x Itti, L., Koch, C. and Niebur, E. (1998). A model of saliency-based visual attention for rapid scene analysis. IEEE Transactions on pattern analysis and machine intelligence, 20(11), 1254-1259. DOI: 10.1109/34.730558 Schneider, W., and Shiffrin, R.M. (1977). “Controlled and automatic human information processing: I. Detection, search, and attention”. Psychological Review, 84(1), 1-66. doi:10.1037/0033-295x.84.1.1. Seifert, C.M. (2001). Situated cognition and Learning, en: Wilson y Keil (2001). Hekkert, P. and Leder, H. (2008). Product Aesthetics. En: Schifferstein, H.N. & Hekkert, P. (eds.) (2008). Product experience (pp. 259-285). Elsevier, San Diego, CA. Visser, W. (2010). Design as construction of representations. Art + Design, Psychology, (2), 29-43. Text http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/openAccess http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:eu-repo/semantics/article Zhao, H., Chen, J., Han, Y. and Cao, X. (2014). Image aesthetics enhancement using composition-based saliency detection. Multimedia Systems, 1-10. Springer. doi.org/10.1007/s00530-014-0373-1 Xing, J. and Manning, C.A. (2005). Complexity and Automation Displays of Air Traffic Control: Literature review and analysis. Technical Report, Office of Aerospace Medicine Washington, DC. Wong, W. (1993). Principles of form and design. John Wiley & Sons. Wilson, R.A., and Keil, F.C. (Eds.) (2001). The MIT Encyclopedia of the Cognitive Sciences. The MIT Press. Wallschlaeger, C., Busic-Snyder, C. and Morgan, M. (1992). Basic visual concepts and principles for artists, architects, and designers. McGraw-Hill. Von Foerster, H. (1996). 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(Eds.), The Cambridge Handbook of the Psychology of Aesthetics and the Arts. Cambridge University Press. Suwa, M., Gero, J., and Purcell, T. (2000). Unexpected discoveries and S-invention of design requirements: important vehicles for a design process.Design Studies, 21 (6), 539-567. doi.org/10.1016/S0142-694X(99)00034-4 Suh, N.P. (1995). Axiomatic design of mechanical systems. Journal of Mechanical Design, 117 (B)2-10. doi:10.1115/1.2836467 Sternnber, R.J., and Ben-Zeev, T. (2001). Complex Cognition. Oxford University Press. Söderman, M. (2002). Comparing Desktop Virtual Reality with handmade sketches and real products: Exploring key aspects for end-users' understanding of proposed products. Journal of Design Research (2) 1. doi.org/10.1504/JDR.2002.009817 Snodgrass, J.G. (2005). Representations, Abstract and Concrete, en: Nadel (2005). Smith, S.M., Ward, T.B., and Finke, R.A. (1995). The creative cognition approach. MIT Press. Smith, C.S. (1982). A Search for Structure. Selected Essays in Science, Art and History. MIT Press. Singer, J.L. (1999) Imagination, en: Runco y Pritzker, (1999). Creativity: Theories and themes: Research, development, and practice. Elsevier. Shah, J.J., Smith, S.M., and Vargas-Hernandez, N. (2003). Metrics for measuring ideation effectiveness. Design studies, 24 (2),111-134. doi.org/10.1016/S0142-694X(02)00034-0 Shah, J.J., Kulkarni, S.V., and Vargas-Hernandez, N. (2000). Evaluation of idea generation methods for conceptual design: effectiveness metrics and design of experiments. Journal of Mechanical Design, 122 (4), 377-384.doi:10.1115/1.1315592 Hutchinson, J.W., and Alba, J.W. (1991). Ignoring irrelevant information: Situational determinants of consumer learning. Journal of Consumer Research, 18(3), 325-345. doi.org/10.1086/209263 Hekkert, P. (2015). Aesthetic responses to design: a battle of impulses. En: Tinio, Smith (2015). Publication Artículo de revista Berghman, M. and Hekkert, P. (2017). Towards a unified model of aesthetic pleasure in design. New Ideas in Psychology, 47, 136-144. doi. org/10.1016/j.newideapsych.2017.03.004 Arnheim, R. (1974). Art and visual perception: A psychology of the creative eye. University of California Press. Akner-Koler, C. (2007). Form & formlessness: questioning aesthetic abstractions through art projects, cross-disciplinary studies and product design education. Axl Books. Jorge Maya - 0 Grignon, M. (2000). Deux brouillons: Le croquis et la maquette. En: Genesis (14): Architecture, edited by P-M de-Biasi, Legault. Montreal: Centre Canadien d’Architecture/Jean-Michel Place, pp 153-162. Español https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/2334 Kepes Universidad de Caldas application/pdf Núm. 21 , Año 2020 : Enero - Junio Brereton, M. (2004). Distributed Cognition in Engineering Design: Negotiating between Abstract and Material Representations. En: Goldschmidt y Porter (2004). Design Representation. London: Springer. 21 17 sketch representación externa representación diseño y cognición diseño e interdisciplinaridad Patiño Mazo, Ever Maya, Jorge Un repertorio interdisciplinario de las propiedades de las representaciones externas en diseño, tales como los sketches, es propuesto para explorar el rol funcional de dichas representaciones. Las propiedades y las funciones de las representaciones son múltiples. Sin embargo, invariablemente se estudian desde enfoques cognitivos o de diseño computacional, por lo que ciertos fenómenos, importantes para diferentes disciplinas del diseño, quedan por fuera. Consecuentemente, una revisión interdisciplinaria, documental, descriptiva y explicativa de la literatura se usa para aportar elementos de respuesta alrededor de tres preguntas: ¿qué son las representaciones, en ciencias duras y en diseño? ¿Cuáles son sus propiedades? ¿Y sus funciones? Así, primero, establecemos entonces elementos básicos sobre las representaciones en diseño; segundo, construimos un repertorio de las propiedades con un enfoque interdisciplinar, dando cuenta de consideraciones teórico-empíricas y elaborando las definiciones aportadas a través de múltiples argumentos basados en diferentes ciencias o disciplinas y en la práctica del diseño. Tercero, proponemos un esquema exploratorio y correlacional sobre la relación de dichas propiedades con las funciones. Por último, ofrecemos conclusiones, planteando vías de investigación futuras. Sugerimos cómo teorías procedentes de campos distintos, pueden combinarse, para desarrollar una teoría más comprensiva. El repertorio de propiedades puede ser útil para quien desee modelar el proceso de diseño y sus representaciones o para quien investigue sobre los métodos de representación. Boujut, J.F. and Blanco, E. (2003). Intermediary objects as a means to foster cooperation in engineering design. Computer Supported Cooperative Work (CSCW), 12 (2), 205-219. Springer. doi.org/10.1023/A:1023980212097 https://creativecommons.org/licenses/by-nc-sa/4.0/ Chen, K., and Owen, C.L. (1997). Form language and style description. Design studies, 18 (3), 249-274. doi.org/10.1016/S0142-694X(97)00002-1 Frankenberger, E., Badke-Schaub, P. and Birkhofer, H. (2012). Designers: the key to successful product development. Springer. Gibson, J.J. (1966). The senses considered as perceptual systems. Oxford. Gigerenzer, G. and Todd, P.M. (1999). Simple heuristics that make us smart. Oxford University Press. Gero, J. (1994). Towards a model of exploration in computer-aided design. Formal design methods for CAD, pp. 315-336. Garner, S. and McDonagh-Philp, D. (2001). Problem interpretation and resolution via visual stimuli: the use of ‘mood boards’ in design education. J. Art Des. Educ. 20 (1), 57-64. doi.org/10.1111/1468-5949.00250 Garner, S. (2001) ‘Is sketching still relevant in virtual design studios?’, en: Proceedings Design Computing on the Net (DCNet 2000), 15-19 Jan, Sydney University. Recuperado de http://www.arch.usyd.edu.au/kcdc/conferences/DCNet00/index.html Ching, F.D., and Juroszek, S.P. (2010). Design drawing. John Wiley & Sons. Corremans, J. (2008). Basic Skills in the Study of Form-Generating Different Styling Proposals based on Variations in Surface Orientation. En: Clarke, A., Evatt, M., Hogarth, P., Lloveras, J. and Pons, L. (eds.) Proceedings of E&PDE 10th, 2008, Barcelona, Spain. Goguen, J.A. and Harrel, D.F. (2004). Information visualisation and semiotic morphisms, en: Malcolm (2004). Goldschmidt, G. (1991). The dialectics of sketching. Creativity Research Journal, 4 (2), 123-143. doi.org/10.1080/10400419109534381 Goldschmidt, G. (1999). “Design”, p. 525-526, en: Runco, M.A., Pritzker, S.R. (eds.) (1999). Galle, P. (1999). Design as intentional action: a conceptual analysis. Design Studies, 20(1), 57-81. doi.org/10.1016/S0142-694X(98)00021-0 Fridenzon-Harison, E. (2016). From Inspiration to Sketches (Fits) Methodology for Students of Product Design. En: Bohemia, E., Buck, L., Eriksen, K., Kovacevic, A., Ovesen, N., and Tollestrup, C. (eds.) Proceedings 18th E&PDE 2016; Aalborg, Denmark, 8th-9th September/2016. Goldschmidt, G. (2004). Design Representation: Private process, public image. En: Goldschmidt, G. y Porter, W. (2004). Design Representation. London: Springer. Goldschmidt, G. (2014). Modeling the role of sketching in design idea generation. En: Chakrabarti, A. y Blessing, L.T.M. (eds.). An Anthology of Theories and Models of Design, pp. 433-450, Springer. Eissen, K. and Steur, R. (2014). Sketching Product Design Presentation. BISPublishers. Fonts.com. (2018) Anatomy of a Character. Recuperado de https://www.fonts.com/content/learning/fontology/level-1/type-anatomy/anatomy. Goldschmidt, G. and Porter, W. (2004). Design Representation. London: Springer. Goldschmidt, G. and Smolkov, M. (2006). Variances in the impact of visual stimuli on design problem solving performance. Design Studies, 27 (5), 549-569. doi.org/10.1016/j.destud.2006.01.002. Eisentraut, R. and Günther, J. (1997). Individual styles of problem solving and their relation to representations in the design process. Design Studies, 18 (4), 369-383. doi.org/10.1016/S0142-694X(97)00007-0 Edmonds, B.M. (1999). Syntactic measures of complexity. Manchester, UK: University of Manchester. Eastman, C. (2001). New directions in design cognition: studies of representation and recall. Elsevier. Goodman, N. (1976). Languages of Art. Hackett, Indianapolis. Dondis, D.A. (1974). A Primer of visual literacy. MIT Press. Desmet, P.M. and Hekkert, P. (2007). Framework of product experience. International Journal of Design, 1 (1), 57-66. Crawford, C.M. and Di Benedetto, C.A. (2003). New products management (7th ed.). McGraw-Hill. external representation An interdisciplinary repertoire of the properties of external representations in design such as sketches, is proposed to explore the functional role of such representations. The properties and functions of the representations are multiple. However, they are invariably studied from cognitive approaches or computational design reason why certain phenomena, important for different disciplines of design, are left out. Consequently, an interdisciplinary, descriptive and explanatory review of the literature is used to provide elements of response around the following three questions: what are representations in hard sciences and in design? What are their properties? And, what are their functions? Thus, basic elements about representations in design are established in the first place and, secondly, a repertoire of properties with an interdisciplinary approach, giving account of theoretical-empirical considerations and elaborating the definitions provided through multiple arguments based on different sciences and/or disciplines and in the practice of design, is built. In the third place, an explorative and correlational scheme on the relationship of these properties with the functions is proposed. And, finally, conclusions suggesting future research paths are offered. The way in which theories from different fields can be combined to develop a more comprehensive theory is suggested. The repertoire of properties can be useful for those who want to model the design process and its representations or for those researching the representation methods. design design cognition Journal article interdisciplinarity mental representation sketch Properties of design representations : an interdisciplinary exploration of their functional role. 2020-01-01T00:00:00Z 2020-01-01T00:00:00Z https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/2334/2236 2020-01-01 1794-7111 2462-8115 10.17151/kepes.2020.17.21.2 https://doi.org/10.17151/kepes.2020.17.21.2 17 60 |
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UNIVERSIDAD DE CALDAS |
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Colombia |
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title |
Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. |
spellingShingle |
Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. Patiño Mazo, Ever Maya, Jorge sketch representación externa representación diseño y cognición diseño e interdisciplinaridad external representation design design cognition interdisciplinarity mental representation sketch |
title_short |
Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. |
title_full |
Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. |
title_fullStr |
Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. |
title_full_unstemmed |
Propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. |
title_sort |
propiedades de las representaciones en diseño : una exploración interdisciplinaria de su rol funcional. |
title_eng |
Properties of design representations : an interdisciplinary exploration of their functional role. |
description |
Un repertorio interdisciplinario de las propiedades de las representaciones externas en diseño, tales como los sketches, es propuesto para explorar el rol funcional de dichas representaciones. Las propiedades y las funciones de las representaciones son múltiples. Sin embargo, invariablemente se estudian desde enfoques cognitivos o de diseño computacional, por lo que ciertos fenómenos, importantes para diferentes disciplinas del diseño, quedan por fuera. Consecuentemente, una revisión interdisciplinaria, documental, descriptiva y explicativa de la literatura se usa para aportar elementos de respuesta alrededor de tres preguntas: ¿qué son las representaciones, en ciencias duras y en diseño? ¿Cuáles son sus propiedades? ¿Y sus funciones? Así, primero, establecemos entonces elementos básicos sobre las representaciones en diseño; segundo, construimos un repertorio de las propiedades con un enfoque interdisciplinar, dando cuenta de consideraciones teórico-empíricas y elaborando las definiciones aportadas a través de múltiples argumentos basados en diferentes ciencias o disciplinas y en la práctica del diseño. Tercero, proponemos un esquema exploratorio y correlacional sobre la relación de dichas propiedades con las funciones. Por último, ofrecemos conclusiones, planteando vías de investigación futuras. Sugerimos cómo teorías procedentes de campos distintos, pueden combinarse, para desarrollar una teoría más comprensiva. El repertorio de propiedades puede ser útil para quien desee modelar el proceso de diseño y sus representaciones o para quien investigue sobre los métodos de representación.
|
description_eng |
An interdisciplinary repertoire of the properties of external representations in design such as sketches, is proposed to explore the functional role of such representations. The properties and functions of the representations are multiple. However, they are invariably studied from cognitive approaches or computational design reason why certain phenomena, important for different disciplines of design, are left out. Consequently, an interdisciplinary, descriptive and explanatory review of the literature is used to provide elements of response around the following three questions: what are representations in hard sciences and in design? What are their properties? And, what are their functions? Thus, basic elements about representations in design are established in the first place and, secondly, a repertoire of properties with an interdisciplinary approach, giving account of theoretical-empirical considerations and elaborating the definitions provided through multiple arguments based on different sciences and/or disciplines and in the practice of design, is built. In the third place, an explorative and correlational scheme on the relationship of these properties with the functions is proposed. And, finally, conclusions suggesting future research paths are offered. The way in which theories from different fields can be combined to develop a more comprehensive theory is suggested. The repertoire of properties can be useful for those who want to model the design process and its representations or for those researching the representation methods.
|
author |
Patiño Mazo, Ever Maya, Jorge |
author_facet |
Patiño Mazo, Ever Maya, Jorge |
topicspa_str_mv |
sketch representación externa representación diseño y cognición diseño e interdisciplinaridad |
topic |
sketch representación externa representación diseño y cognición diseño e interdisciplinaridad external representation design design cognition interdisciplinarity mental representation sketch |
topic_facet |
sketch representación externa representación diseño y cognición diseño e interdisciplinaridad external representation design design cognition interdisciplinarity mental representation sketch |
citationvolume |
17 |
citationissue |
21 |
citationedition |
Núm. 21 , Año 2020 : Enero - Junio |
publisher |
Universidad de Caldas |
ispartofjournal |
Kepes |
source |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/2334 |
language |
Español |
format |
Article |
rights |
http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/openAccess Jorge Maya - 0 https://creativecommons.org/licenses/by-nc-sa/4.0/ |
references |
Olofsson, E., and Sjolen, K. (2005). Design Sketching, KEEOS Design-Books. Schifferstein, H.N., and Hekkert, P. (eds.) (2008). Product Experience. Elsevier. Schenk, P. (2007). Developing a taxonomy on drawing for design. En: Poggenpohl, s. (ed.) Proceedings IASDR’07 Conference, Hong-Kong, 12-15 Nov., 2007 Runco, M.A., and Pritzker, S.R. (1999). Encyclopedia of Creativity. (2 Vols.). Academic Press. Runco, M.A. (2014). Creativity: Theories and themes: Research, development, and practice. Elsevier. Roozenburg, N.F., and Eekels, J. (1995). Product design: fundamentals and methods (Vol. 2). Wiley, Chichester. Reymen, I., and Hammer, D. (2000). Design method supporting regular reflection on design situations. En: Horvath, I., Medland, A.J., and Vergeest, J.S.M. (eds.). Proceedings Third Symposium TMCE, Delft, pp.18-21. Reisberg, D., and Logie, R. (1993) The ins and outs of working memory: Overcoming the limits on learning from imagery, en: Roskos-Ewoldsen, Intons-Peterson M., Anderson, R. 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