Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles

Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles

En el amplio sentido del diseño de muebles, la funcionalidad ha sido tomada como una característica que define lo que pertenece a su área y qué pertenece, por ejemplo, al arte. Sin embargo, un largo camino se ha andado desde la declaración moderna de la forma sigue la función. Hoy en día, todavía se considera que un mueble tiene que funcionar, el diseño de muebles no se explica solo por su funcionalidad. El objetivo de este texto es, entonces, ampliar la discusión de argumentos basados en la voz de tres artistas contemporáneos del diseño de muebles: Donald Judd (1928-1994), Fien Muller (°1978) y Hannes Van Severen (°1979) quienes fundaron el estudio Muller Van Severen. Si Donald Judd afirma que la función define el diseño de muebles, pero d... Ver más

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Kepes

1794-7111

2462-8115

Pombo, Fátima

Moortgat, Ingrid

UNIVERSIDAD DE CALDAS

10.17151/kepes.2017.14.15.8

14

2016-01-01

195

218

Colombia

muebles

experiencia espacial

función

diseño

Arte

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Kepes - 2017

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spelling Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
muebles
Artículo de revista
Núm. 15 , Año 2017 : Enero - Junio
15
14
Universidad de Caldas
Kepes
experiencia espacial
función
diseño
Arte
Pombo, Fátima
Moortgat, Ingrid
En el amplio sentido del diseño de muebles, la funcionalidad ha sido tomada como una característica que define lo que pertenece a su área y qué pertenece, por ejemplo, al arte. Sin embargo, un largo camino se ha andado desde la declaración moderna de la forma sigue la función. Hoy en día, todavía se considera que un mueble tiene que funcionar, el diseño de muebles no se explica solo por su funcionalidad. El objetivo de este texto es, entonces, ampliar la discusión de argumentos basados en la voz de tres artistas contemporáneos del diseño de muebles: Donald Judd (1928-1994), Fien Muller (°1978) y Hannes Van Severen (°1979) quienes fundaron el estudio Muller Van Severen. Si Donald Judd afirma que la función define el diseño de muebles, pero discute sobre algunas semejanzas acerca del proceso creativo, Muller Van Severen, quien tiene semejanzas estéticas con Judd, observa el mueble desde una Mirada más holística, enfatizando su papel en la construcción de espacios y en el borde confuso del diseño y el arte.
Greenberg, C. (1995). Recentness of Sculpture. In The Collected Essays and Criticism, vol. 4, Modernism with a Vengeance 1957-1969, C. Greenberg and J.O’Brian (eds). Chicago: The University of Chicago Press.
Love, T. (2002). Constructing a coherent cross-disciplinary body of theory about designing and designs: some philosophical issues”. In Design Studies, 23 (3).
Judd, D. (2005). Specific Objects. In Complete writings 1959-1975. Halifax: The Press of Nova Scotia College of Art and Design.
Judd, D. (1993). It’s Hard to Find a Good Lamp. In Donald Judd. Furniture Retrospective, exh.cat. Rotterdam, Boymans-van Beuningen/München, Villa Stuck, edited by P.de Jonge, I. Schleedoorn and F. Huygen. Rotterdam: Boymans-van Beuningen.
Margolin, V. (1997). Getting to Know the User. In Design Studies, 18 (3).
Huck, B. (1993). De Meubels. In Donald Judd. Furniture Retrospective, exh. cat. Rotterdam, Boymans-van Beuningen/München, Villa Stuck, edited by P. de Jonge, I. Schleedoorn and F. Huygen. Rotterdam: Boymans-van Beuningen.
Fraser, M. (2014). A visit to the studio. In Muller van Severen book. Antwerpen: Luster Uitgeverij.
Friedman, K. & Stolterman E. (Eds.). (2013).Series Forward. In Folkmann, M. N. The Aesthetics of Imagination in Design. Cambridge (Mass): MIT, IX-XIII.
Fried, M. (1998). Art & Objecthood. In Essays and Reviews. Chicago/London: The University of Chicago Press.
Don Judd. “Untitled 1988.” Acessed July 7, 2016. http://donjudd.tumblr.com/page/2.
Dorst, K. (2007). But, is it Art? In Design and Art. Documents of Contemporary Art, ed. Alex Coles. London: Whitechapel Gallery Ventures Limited.
Demeulemeester, T. (2015). Designer van het jaar. Muller Van Severen. Knack Weekend 40.
Bloemink, B. (2004b). On the relationship of art and design. In Design ≠ art: Functional objects from Donald Judd to Rachel Whiteread. London/New York: Merrell.
In Design ≠ art: Functional objects from Donald Judd to Rachel Whiteread. London/New York: Merrell.
Bloemink, B. (2004a). Dialogues on the relationship of art and design: Donald Judd.
Meplon, C. (2014). A wonderful project. In Muller van Severen book. Antwerpen: Luster Uitgeverij. Internet sources
Muller Van Severen, a furniture project by Fien Muller and Hannes Van Severen. “Persmededeling Sven Gatz.” Accessed July 4, 2016. http://www.mullervanseveren.be/site/.
Frozen Fountain. “Marble Box.” Accessed July 7, 2016. http://www.frozenfountain.nl/marble box.html.
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Znor. “Muller Van Severen designer van het jaar 2015.” Accessed July 4, 2016.http://www.znor.be/2015/02/03/muller-van-severendesigner-van-het-jaar-2015/.
Interieur.be. “Designer of the year.” Accessed July 3, 2016. https://interieur.be/designer-year.
Visualize us, “Cutting boards 2011.” Accessed July 7, 2016.
van der Lugt, Lara. “Chop Chop chopping boards become a piece of wall sculpture when stored.” MOCO LOCO web magazine, 2015. Accessed July 7, 2016.http://mocosubmit.com/chop-chop-chopping-boardsbecome-a-piece-of-wall-sculpture-when-stored/.
Zimmermann, Y. (1998). Del Diseño. Barcelona: GG.
Muller Van Severen, a furniture project by Fien Muller and Hannes Van Severen. “Marble Box.” Acessed July 5, 2016.http://www.mullervanseveren.be/site/marble-box/.
Muller Van Severen, a furniture project by Fien Muller and Hannes Van Severen.“Cuttingboards 2011.” Accessed July 7, 2016.http://www.mullervanseveren.be/site/cuttingboards/.
Judd Foundation. Accessed October 3, 2016, http://juddfoundation.org/.
Articles
Norman, D. (1988). The Design of Everyday Things. New York: Basic Books.
Thornton, S. (2008). Seven days in the Art World. London/New York: W.W. Norton & Company Ltd.
Kepes - 2017
In the extensive meaning of furniture design, functionality has been taken as a feature to define what belongs to that realm and what belongs, for example, to art. A long path, however, has been crossed since the modernist statement that form follows function. Nowadays, if it is still considered that a piece of furniture has to function, furniture design is not explained only by its functionality. The aim of this text is, then, to expand the discussion from arguments based upon the voice of three contemporary artists that designed furniture and art: Donald Judd (1928-1994), Fien Muller (°1978) and Hannes Van Severen (°1979) who founded the studio Muller Van Severen. If Donald Judd states that function defines furniture design, but argues about some similarities about the creative process, Muller Van Severen, who have aesthetical resemblances with Judd, look at furniture from a more holistic view, stressing its role in the construction of spaces and in the blurring of design and art borders.
Art
design
function
furniture
space experience
Journal article
application/pdf
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/2722
Sudjic D. (2009). The Language of Things. London: Penguin Books.
https://creativecommons.org/licenses/by-nc-sa/4.0/
Inglés
Publication
Jordan, P.W. (2000). Designing pleasurable products. London: Taylor and Francis Group.
Aicher, O. (1994). El mundo como proyecto (Die Welt als Entwurf, 1991). Barcelona: GG.
Belemans, A. (2016). Maarten Van Severen, zoektocht naar essentie. Zijn creatief proces bij het ontwerpen van meubilair. Unpublished masterpaper. University of Leuven.
Branzi, A. (2006). Modernità debole e diffusa. Il mondo del progetto all’inizio del XXI secolo. Milano: Skira Editore.
Sudjic, D. (1985). Cult Objects. London: Paladin Books.
Shove, E. et al. (2007). The Design of Everyday Life. Oxford: Berg Publishers.
Fiell, C. & Fiell,P.(2005). 1000 Chairs. Köln: Taschen.
Rybczynski, W. (1987). Home. London: Penguin Books.
Norman, D. (2007). The Design of Future Things. New York: Basic Books.
Heskett, J. (2002). Toothpicks & Logos- Design in everyday life. Oxford: Oxford University Press.
Norman, D. (2004). Emotional Design. Why we love (or hate) everyday things. New York: Basic Books.
Furniture and Function. Donald Judd vs Muller Van Severen about designing furniture
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institution UNIVERSIDAD DE CALDAS
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title Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
spellingShingle Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
Pombo, Fátima
Moortgat, Ingrid
muebles
experiencia espacial
función
diseño
Arte
design
function
furniture
space experience
title_short Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
title_full Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
title_fullStr Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
title_full_unstemmed Muebles y Funciones. Donald Judd vs Muller Van Severen acerca del diseño de muebles
title_sort muebles y funciones. donald judd vs muller van severen acerca del diseño de muebles
title_eng Furniture and Function. Donald Judd vs Muller Van Severen about designing furniture
description En el amplio sentido del diseño de muebles, la funcionalidad ha sido tomada como una característica que define lo que pertenece a su área y qué pertenece, por ejemplo, al arte. Sin embargo, un largo camino se ha andado desde la declaración moderna de la forma sigue la función. Hoy en día, todavía se considera que un mueble tiene que funcionar, el diseño de muebles no se explica solo por su funcionalidad. El objetivo de este texto es, entonces, ampliar la discusión de argumentos basados en la voz de tres artistas contemporáneos del diseño de muebles: Donald Judd (1928-1994), Fien Muller (°1978) y Hannes Van Severen (°1979) quienes fundaron el estudio Muller Van Severen. Si Donald Judd afirma que la función define el diseño de muebles, pero discute sobre algunas semejanzas acerca del proceso creativo, Muller Van Severen, quien tiene semejanzas estéticas con Judd, observa el mueble desde una Mirada más holística, enfatizando su papel en la construcción de espacios y en el borde confuso del diseño y el arte.
description_eng In the extensive meaning of furniture design, functionality has been taken as a feature to define what belongs to that realm and what belongs, for example, to art. A long path, however, has been crossed since the modernist statement that form follows function. Nowadays, if it is still considered that a piece of furniture has to function, furniture design is not explained only by its functionality. The aim of this text is, then, to expand the discussion from arguments based upon the voice of three contemporary artists that designed furniture and art: Donald Judd (1928-1994), Fien Muller (°1978) and Hannes Van Severen (°1979) who founded the studio Muller Van Severen. If Donald Judd states that function defines furniture design, but argues about some similarities about the creative process, Muller Van Severen, who have aesthetical resemblances with Judd, look at furniture from a more holistic view, stressing its role in the construction of spaces and in the blurring of design and art borders.
author Pombo, Fátima
Moortgat, Ingrid
author_facet Pombo, Fátima
Moortgat, Ingrid
topicspa_str_mv muebles
experiencia espacial
función
diseño
Arte
topic muebles
experiencia espacial
función
diseño
Arte
design
function
furniture
space experience
topic_facet muebles
experiencia espacial
función
diseño
Arte
design
function
furniture
space experience
citationvolume 14
citationissue 15
citationedition Núm. 15 , Año 2017 : Enero - Junio
publisher Universidad de Caldas
ispartofjournal Kepes
source https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/2722
language Inglés
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info:eu-repo/semantics/openAccess
Kepes - 2017
https://creativecommons.org/licenses/by-nc-sa/4.0/
references_eng Greenberg, C. (1995). Recentness of Sculpture. In The Collected Essays and Criticism, vol. 4, Modernism with a Vengeance 1957-1969, C. Greenberg and J.O’Brian (eds). Chicago: The University of Chicago Press.
Love, T. (2002). Constructing a coherent cross-disciplinary body of theory about designing and designs: some philosophical issues”. In Design Studies, 23 (3).
Judd, D. (2005). Specific Objects. In Complete writings 1959-1975. Halifax: The Press of Nova Scotia College of Art and Design.
Judd, D. (1993). It’s Hard to Find a Good Lamp. In Donald Judd. Furniture Retrospective, exh.cat. Rotterdam, Boymans-van Beuningen/München, Villa Stuck, edited by P.de Jonge, I. Schleedoorn and F. Huygen. Rotterdam: Boymans-van Beuningen.
Margolin, V. (1997). Getting to Know the User. In Design Studies, 18 (3).
Huck, B. (1993). De Meubels. In Donald Judd. Furniture Retrospective, exh. cat. Rotterdam, Boymans-van Beuningen/München, Villa Stuck, edited by P. de Jonge, I. Schleedoorn and F. Huygen. Rotterdam: Boymans-van Beuningen.
Fraser, M. (2014). A visit to the studio. In Muller van Severen book. Antwerpen: Luster Uitgeverij.
Friedman, K. & Stolterman E. (Eds.). (2013).Series Forward. In Folkmann, M. N. The Aesthetics of Imagination in Design. Cambridge (Mass): MIT, IX-XIII.
Fried, M. (1998). Art & Objecthood. In Essays and Reviews. Chicago/London: The University of Chicago Press.
Don Judd. “Untitled 1988.” Acessed July 7, 2016. http://donjudd.tumblr.com/page/2.
Dorst, K. (2007). But, is it Art? In Design and Art. Documents of Contemporary Art, ed. Alex Coles. London: Whitechapel Gallery Ventures Limited.
Demeulemeester, T. (2015). Designer van het jaar. Muller Van Severen. Knack Weekend 40.
Bloemink, B. (2004b). On the relationship of art and design. In Design ≠ art: Functional objects from Donald Judd to Rachel Whiteread. London/New York: Merrell.
In Design ≠ art: Functional objects from Donald Judd to Rachel Whiteread. London/New York: Merrell.
Bloemink, B. (2004a). Dialogues on the relationship of art and design: Donald Judd.
Meplon, C. (2014). A wonderful project. In Muller van Severen book. Antwerpen: Luster Uitgeverij. Internet sources
Muller Van Severen, a furniture project by Fien Muller and Hannes Van Severen. “Persmededeling Sven Gatz.” Accessed July 4, 2016. http://www.mullervanseveren.be/site/.
Frozen Fountain. “Marble Box.” Accessed July 7, 2016. http://www.frozenfountain.nl/marble box.html.
Znor. “Muller Van Severen designer van het jaar 2015.” Accessed July 4, 2016.http://www.znor.be/2015/02/03/muller-van-severendesigner-van-het-jaar-2015/.
Interieur.be. “Designer of the year.” Accessed July 3, 2016. https://interieur.be/designer-year.
Visualize us, “Cutting boards 2011.” Accessed July 7, 2016.
van der Lugt, Lara. “Chop Chop chopping boards become a piece of wall sculpture when stored.” MOCO LOCO web magazine, 2015. Accessed July 7, 2016.http://mocosubmit.com/chop-chop-chopping-boardsbecome-a-piece-of-wall-sculpture-when-stored/.
Zimmermann, Y. (1998). Del Diseño. Barcelona: GG.
Muller Van Severen, a furniture project by Fien Muller and Hannes Van Severen. “Marble Box.” Acessed July 5, 2016.http://www.mullervanseveren.be/site/marble-box/.
Muller Van Severen, a furniture project by Fien Muller and Hannes Van Severen.“Cuttingboards 2011.” Accessed July 7, 2016.http://www.mullervanseveren.be/site/cuttingboards/.
Judd Foundation. Accessed October 3, 2016, http://juddfoundation.org/.
Articles
Norman, D. (1988). The Design of Everyday Things. New York: Basic Books.
Thornton, S. (2008). Seven days in the Art World. London/New York: W.W. Norton & Company Ltd.
Sudjic D. (2009). The Language of Things. London: Penguin Books.
Jordan, P.W. (2000). Designing pleasurable products. London: Taylor and Francis Group.
Aicher, O. (1994). El mundo como proyecto (Die Welt als Entwurf, 1991). Barcelona: GG.
Belemans, A. (2016). Maarten Van Severen, zoektocht naar essentie. Zijn creatief proces bij het ontwerpen van meubilair. Unpublished masterpaper. University of Leuven.
Branzi, A. (2006). Modernità debole e diffusa. Il mondo del progetto all’inizio del XXI secolo. Milano: Skira Editore.
Sudjic, D. (1985). Cult Objects. London: Paladin Books.
Shove, E. et al. (2007). The Design of Everyday Life. Oxford: Berg Publishers.
Fiell, C. & Fiell,P.(2005). 1000 Chairs. Köln: Taschen.
Rybczynski, W. (1987). Home. London: Penguin Books.
Norman, D. (2007). The Design of Future Things. New York: Basic Books.
Heskett, J. (2002). Toothpicks & Logos- Design in everyday life. Oxford: Oxford University Press.
Norman, D. (2004). Emotional Design. Why we love (or hate) everyday things. New York: Basic Books.
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date_accessioned 2017-01-01T00:00:00Z
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url https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/2722
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issn 1794-7111
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citationstartpage 195
citationendpage 218
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